November 9, 2019
@ Normal’s Books & Records
425 E 31st St, Baltimore, Maryland 21218
Mark Cetilia is a sound / media artist working at the nexus of analog and digital technologies. Exploring the possibilities of generative systems in art, design, and sound practice, Cetilia’s work is an exercise in carefully controlled chaos. He is a member of the media art group Redux, recipients of a Creative Capital grant in Emerging Fields, and the electroacoustic ensemble Mem1, described by the Oxford University Press’ Grove Dictionary of American Music as “a complex cybernetic entity” whose “evolving, custom-built systems are as important an aspect of the duo’s achievements as their ever-innovative sound.”
Cetilia holds a Ph.D in Computer Music and Multimedia from Brown University, and an MFA in Digital + Media from the Rhode Island School of Design. His work has been screened / installed at the Institute for Contemporary Art (London), Oboro (Montréal), and O’ (Milan); he has performed widely at venues including Café OTO (London), STEIM (Amsterdam), Los Angeles Contemporary Exhibitions, and Roulette (NYC). His sound works have been published by Interval, Radical Matters, Dragon’s Eye Recordings, and the Estuary Ltd. imprint, which he runs with his partner Laura Cetilia.
Shawn Greenlee is a composer, sound artist, and Associate Professor at the Rhode Island School of Design (RISD). He has performed extensively across the United States and Europe, appearing on several conferences, festivals, and tours. These include New Interfaces for Musical Expression (2018 Blacksburg, 2015 Baton Rouge, 2014 London, 2013 Daejeon), International Computer Music Conference (2018 Daegu, 2011 Huddersfield, 2005 Barcelona), BEAST FEaST (2017 Birmingham), PdCon16 (2016 New York), Cube Fest (2019, 2016 Blacksburg), Re-new (2013 Copenhagen), IN TRANSIT (2008 Berlin), and Elevate (2007 Graz), among others. Greenlee’s solo and group discography spans over fifty releases to date. At RISD, Greenlee is the Programs Head for the Division of Experimental and Foundation Studies. In 2008, he completed his Ph.D. in Computer Music and New Media at Brown University. In 2014, he was awarded the MacColl Johnson Fellowship for music composition by the Rhode Island Foundation.
Bonnie Jones is an Korean-American improvising musician, poet, and educator working primarily with electronic sound and text. Her work uses electronic noise (field recordings, circuit bending) and text (poetry, found, spoken, visual) to make visible/audible the often invisible, fluid, and in-between states of self and identity.
Jones has been an active improvising musician since 1999, and has released several recordings of collaborative and solo projects including green just as I could see (Erstwhile, 2012), with Andrea Neumann; AS:IS (Olof Bright, 2012), with Christine Abdelnour and Andrea Neumann; Clandestine Cassette Series #2 (Northern Spy, 2011); Arena Ladidros (Another Timbre, 2010), with Chris Cogburn and Bhob Rainey; NINA (Simple Geometry, 2010), with Chris Cogburn and Liz Tonne; Jones Family Farm (Compost and Height, 2008); Vines (emr, 2006); One Day (Erstwhile, 2008), with Toshimaru Nakamura; and English (Copula, 2004), with Joe Foster.