Upcoming

Move Move Collaborative Presents Improvisations

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The Move Move Collaborative is a temporary ensemble that has met to train together, to eat together, and to perform together. On June 30th, we will be hosting a night of improvised music and dance. There will be five sets. Each 15 minute set will feature a combination of musicians and dancers.

Musicians:
Chuck Bettis
Khristian Weeks
Zoe Bell
Bonnie JOnes
SHakia Paylor

Move Movers:
Domineka Reeves
Laura Farner
slowdanger
Erick Benitez
Kate O’Brien
Peter Redgrave
Lynne Price
Matt Williams
Elise Knudson
Cristal Sabbagh
Jake Freeman
Orlando Johnson

Bonnie Jones & Janel Leppin Duo /// Ken Vandermark & Nate Wooley Duo

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Ken Vandermark / Nate Wooley Duo

Chicago saxophonist/composer Ken Vandermark and New York trumpet stalwart Nate Wooley are both internationally known and lauded improvisers dealing directly with each other’s iconoclastic compositional and improvisational vocabularies.

Vandermark and Wooley have worked together to create an organic combination of the jazz tradition, free improvisation, and modern composition, and have then placed it into the raw and intimate context of this duo.

Bonnie Jones / Janel Leppin Duo

Bonnie Jones is a Baltimore based Korean-American writer, improvising musician, and performer working primarily with electronic music and text.

Cellist, vocalist and composer Janel Leppin is a highly developed, innovative artist with a musical style that is as unique as it is captivating.

The two meet for the first time in this DC-Baltimore power duo of high-level improvisation.

Bar open at 6pm
Doors at 7pm
Music at 7:30pm
Tickets: $12 Advance, $15 at the Door
https://www.capitalfringe.org/events/1031-ken-vandermark-nate-wooley-duo-bonnie-jones-janel-leppin-duo

Standing Waves #7, Lecture and Concert Series

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Standing Waves is a monthly music, sound, and artists talk series with a concentration on one artist in the performance of and presentation about their work. Standing Waves is given over to a single artist for each event that allows for the performance and auditioning of their work as well as a presentation to the audience about it that makes for an intimate as well as rigorous experience, with the integrity and intention of the artist and work aligned and revealed. A distinguishing element of the series will also be a document in the form of a book that includes critical writings and photographs from the events. This comprehensive approach will elucidate the music, sound art and practices that overlap and comprise the artists’ works.

Ende Tymes Festival 2017

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ENDE TYMES 777

http://halfnormal.com/endetymes/

THURSDAY APRIL 27 – 730pm doors – $15 members / $20 general – tickets available here
Issue Project Room (22 Boerum Pl)
featuring:
Denis Rollet & Francisco Meirino
Jenny Gräf
Joe Colley
TRNSGNDR/VHS

FRIDAY APRIL 28 – 730pm doors – $20
Silent Barn (603 Bushwick Ave)
tickets available here
featuring:
Instinct Control
Mateo Galindo
Lingua Ignota
Hogareño
Zaimph
Gerritt Wittmer
Theories of Forgetting
Bonnie Jones
Blue Shift
Vertonen
Francisco Meirino
Hans Grüsel’s Krankenkabinet
Architeuthis Dux
Dromez
Kazehito Seki
Cruor Incendia
Taskmaster

SATURDAY APRIL 29 – 730pm doors – $20
Silent Barn (603 Bushwick Ave)
tickets available here
featuring:
Serpentine
Suckling
A Week Of Kindness
Sarah Hennies
Geoff Mullen
Howard Stelzer
Denis Rollet
Midmight
Postcommodity
Werewolf Jerusalem
Tourette
Aaron Dilloway
Boar
Novasak + Human Fluid Rot
Gaiamamoo
Sterile Garden

SUNDAY APRIL 30 – 630pm doors – $15
Silent Barn (603 Bushwick Ave)
tickets available here
featuring:
Casas
Blessed Thistle
High School Confidential
Express
Dreamcrusher
Kiran Arora
Caroline Park & Asha Tamirisa
Timeghost
Pod Blotz
Kyle Eyre Clyd
SADAF

Sound Film Collaboration w/ Dani Leventhal & Sheilah Wilson @Whitney Biennial 2017 Film Program

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As part of the Whitney Biennial Film program, Dani Leventhal and Sheilah Wilson will screen Strangely Ordinary This Devotion, with sound by Bonnie Jones.

April 22 – April 23
http://whitney.org/Events/DaniLeventhal 

Location: Floor Three, Susan and John Hess Family Gallery and Theater

Dani Leventhal’s films make palpable the emotional life of disparate animate and inanimate worlds. Using both scripted and found source material, Leventhal creates complex layers of meaning through montage, rendering micro-narratives of mortality and desire.

April 22: 6 and 8:30 pm
Screenings

April 23: 3 pm
Screening followed by a conversation with Dani Leventhal, Sheilah Wilson, co-director of Strangely Ordinary this Devotion, Jared Buckhiester, co-director of Hard as Opal, and Aily Nash, co-curator of the 2017 Whitney Biennial Film Program

Dani Leventhal (b. 1972), Platonic, 2013
Dani Leventhal and Jared Buckhiester (b. 1977), Hard as Opal, 2015
Dani Leventhal and Sheilah Wilson (b. 1977), Strangely Ordinary This Devotion, 2017

Tickets are required ($12 adults, students, and seniors; free for members). Doors open thirty minutes before the program begins. Ticket holders are guaranteed admission until the start of the program, at which time any unclaimed seats will be released.

Hanna Olivegren / M.takara H.DIAZ(Brazil) \ Robert Donne / \ Bonnie Jones + Joan Sullivan

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First performance at 8:30
Suggested Donation $5
A portion of the door will go to benefit the non profit Refugee Cities
Refugee Cities
Blue Room @The Crown, Baltimore

Hanna Olivegren
http://www.hannaolivegren.com/

Maurício Takara & Henrique Diaz (Brazil)
Breaking the barrier of what is possible to do with twelve strings, ToTi is presenting a combination of latin rhythms, with samba, Bossa Nova, electronic music and improvisation. Maurício Takara plays an electrify cavaquinho (traditional Brazilian small guitar) and his own creation: an electrify skateboard turned into a rhythmical instrument, while Henrique Diaz control and process a cuatro, a type of Latin America acoustic guitar.

Robert Donne from Richmond, VA
rdonne.com

Bonnie Jones (accompanied by Joan Sullivan)
https://bonnie-jones.com/

Musical interludes provided by Balagan

Followed by a possible late night dance party that may or may not involve ABBA and an international musical melange.

New Forms / New Paths @Johns Hopkins University DMC

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A weekend of new electronic music and ideas comes to JHU. New Forms/New Paths is a weekend-long event sponsored by the JHU DMC, which focuses on new directions and ideas at the cutting edge of electronic music. It will feature a diverse group of artists and researchers ranging across age, race, and gender. Rather than focusing only on tools and technological concepts, New Forms/New Paths also considers personal history, identity, and global economic and political changes as the combined materials of contemporary musical innovation. Become aware of emerging ideas in contemporary electronic music regarding style, aesthetics, politics, and personal growth.

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ELECTRONIC MUSIC CONCERT

Friday, March 3rd: 8-10:30 p.m.
Mattin Center Jones Building 101
General Public Welcome

A concert of radical new electronic and electroacoustic music at the crossroads of style, extended technique, and technology. Expect ear-bending performances by current practitioners of experimental jazz, improvisation, circuit bent electronics, avant-classical composition and virtuoso instrumental skills.

Performances by:
– Bonnie Jones and Suzanne Thorpe
– Sarah Hennies (Solo percussion, computer, sine waves)
– Mind over Matter, Music over Mind, quartet with Thomas Stanely (computer), Jamal Moore (tenor saxophone, electronics), Bobby Hill (turntables, electronics)

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CIRCUIT BUILDING WORKSHOP -Sounding Points of Light

Saturday, March 4th: 1-4 p.m.
DMC Makerspace
JHU STUDENTS ONLY

Spend the day with TECHNE
https://technesound.org/ creating and musically experimenting with your very own light controlled oscillator instrument!

Seats are limited. Sign up one week before by visiting: https://bookit.dmc.jhu.edu

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PANEL DISCUSSION

Sunday, March 5th: 2-4 p.m.
NEW LOCATION: Mattin Center Cafe, 33rd and North Charles St.
General Public Welcome

This panel brings together esteemed musicians and writers from the Baltimore and Washington DC area. Thomas Stanely Ph.D., Tara Rogers Ph.D. and Suzanne Thorpe and Bonnie Jones of Techne are explorers of electronic media who write and think about music and technology with an ear to history, politics, engineering, and innovation. As artists, they are individuals who have worked in the avant-garde, performing all over the world and spreading the news of radical new music.

AMT Festival, San Diego Art Institute

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AMT FESTIVAL, SAN DIEGO ART INSTITUTE
FEBRUARY 2-4, 2017

TECHNE is honored to join the amazing roster of artists, technologists, and musicians for the inaugural AMT Festival (art, technology, music), a pilot initiative of the San Diego Art Institute (SDAI) in collaboration with the Fleet Science Center and Southwestern College.

From February 2-4, 2017, AMT featured panel discussions, lectures, demos, DIY educational workshops, and artist performances that reflect themes at the forefront of electronic arts/music, data visualization/sonification, and the confluence of arts, technology, and music.

TECHNE will present our Sounding Points of Light workshop, where participants learned how to make their own light controlled oscillator. Afterwards, the instruments were presented as an installation that audiences could explore and interact with in the SDAI gallery space.

View photo gallery archive on TECHNE’s website.

storefront: THIS KNOWN WORLD: Spontaneous Particulars of the Poetic Research Bureau

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One of the unique characteristics of the contemporary art scene in Los Angeles is the proliferation of artist-run spaces, many of which are located in storefronts across the city. MOCA was founded by artists and, due to its philosophy of placing artists at the center of its mission, has long been known as “the artist’s museum.” Storefront continues this tradition by inviting two artist-run organizations to take over MOCA’s Marcia Simon Weisman Works on Paper Study Center each year.

Called a “valise fiction” for the portability and unfixed tenancy of its mission, the Poetic Research Bureau (PRB) has for nearly two decades been a lodestar for language-centered inquiry in Los Angeles. Avowedly non-institutional, it has hosted 300+ readings, talks, screenings and performances in galleries, DIY punk clubs and project spaces throughout the city, drawing in a loose-limbed community of poets, conceptual artists and freethinkers. Since 2010 the Bureau has been anchored on Chung King Road, in Los Angeles’s historic Chinatown, where it hosts one of the city’s longest-lived reading series, programmed by Joseph Mosconi and Andrew Maxwell, among others.

Taking its title from a lecture by poet Susan Howe, and gesturing toward Los Angeles conceptualist Guy de Cointet’s hermeneutic talk-performances of the 1970s, THIS KNOWN WORLD restages the PRB as a pocket theater from which messages of great moment emanate and dissolve. Here, various screens re-imagine Bureau directors, previously unseen or unknown, guiding careers of inquiry down forking paths. As with the PRB’s regular programming, undisciplined enthusiasms are readily embraced. Psychic research, detective bureaus, ‘pataphysics and poetry – all these inherited solutions for urban bafflement – become the stuff of “unoriginal literature” in an open, expanding “commonplace” of language that precedes and encompasses us.

Featured artists include Alejandro Miguel Justino Crawford, Guy de Cointet, Malik Gaines and Alexandro Segade in collaboration with Theodore Darst, Harmony Holiday, Jibade-Khalil Huffman, Bonnie Jones, Sophia Le Fraga, Holly Melgard, Nikita Pashenkov in collaboration with Casey Anderson and Steve Ziadie, Poetic Research Bureau in collaboration with Rich Bott, Syd Staiti, Ed Steck, Divya Victor, Michael Webster in collaboration with Monique Prieto and Diane Ward, and Lawrence Weiner.

storefront: THIS KNOWN WORLD: Spontaneous Particulars of the Poetic Research Bureau is curated by MOCA Senior Curator Bennett Simpson and Poetic Research Bureau founders Andrew Maxwell and Joseph Mosconi with Executive Assistant to the Chief Curator Hana Cohn.

http://www.moca.org/exhibition/storefront-poetic-research-bureau